Andy WARHOLAlexander HEINRICISEABIRD EDITIONS, Mick Jagger Enlarge 1 /1


United States of America 1928 – 1987

Alexander HEINRICI



publisher (organisation)

Mick Jagger 1975
Collection Title: the 'Mick Jagger' portfolio, 1975
Place made: New York London, New York Greater London, United States of America England
Materials & Technique: prints, stencil screenprint, printed in coloured inks. Support: Arches Aquarelle (rough) paper
Impression: 109/250
Edition: edition of 250, plus: 50 artist's proofs; 3 printer's proofs
Place Published: London
Date Published: 1975

Edition Notes: printer: Alexander Heinrici, New York
Dimensions: sheet 111.5 h x 73.6 w cm
Acknowledgement: Purchased 1980
Accession No: NGA 81.1256.1
Image rights: © The Andy Warhol Foundation for the Visual Arts, Inc./ARS. Licensed by Viscopy

By the 1970s Warhol no longer relied on found imagery and had considerably expanded his range of subjects. He often took his own photographs and the ‘hand-made’ look became increasingly evident by additions of collage elements using torn cheap graphic Color Aid papers, which were produced in a seemingly endless array of colours. The series of ten screenprints of Mick Jagger were characteristic of this change in style and the artist used a selection of ten of his own photographs that he had taken of Jagger.

Warhol had met Jagger in 1963 when the band the Rolling Stones were not well known in the United States. Warhol had designed the band’s provocative album cover Sticky Fingers with its focus on a man’s crotch and a zipper that opened. The album and the design proved to be a huge success and Warhol, ever keen to make money, lamented that he had not been paid enough given the millions of copies that sold. No doubt with an eye for financial success, Warhol turned to the subject of Mick Jagger, now a celebrity friend and part of the New York club scene.

Text © National Gallery of Australia, Canberra