Palmerston North, Aotearoa New Zealand born 1956
'House 89' 1989 Materials & Technique: paintings, oil on linen
Around 1987, Brent Harris shifted from a highly gestural style which evoked the abstract expressionism of Jackson Pollock to a geometric abstraction limited to flat, extremely simple non-representational forms. In their blackness, pictures such as House reflected the influence of Harris’s teacher Peter Booth and also his admiration for the painters Colin McCahon, Ad Reinhardt and Ellsworth Kelly. In their muteness and austerity, these paintings deliberately flew in the face of the neo-expressionism and highly figurative work that dominated painting at the time.
Text © National Gallery of Australia, Canberra