Boxer MILNER, Wallyara Enlarge 1 /1

Boxer MILNER

Jaru people

Matwanangu, near Sturt Creek, Western Australia, Australia born 1935

Wallyara 2001 Description: series of dotted vertical bands, curved motifs branching from left vertical
Place made: Balgo, Western Australia, Australia
Materials & Technique: paintings, synthetic polymer paint on linen

Dimensions: 120.0 h x 80.0 w cm
Acknowledgement: Purchased 2001
Accession No: NGA 2001.218

Boxer Milner (Milnga Milnga) is a river man. His life and art were born of the ebb and flow of Sturt Creek, which courses into the northern fringes of the Great Sandy Desert. Milnga Milnga was born on its banks and spent his early life as a stockman ­working cattle on Sturt Creek station. When he was too old to work the river country he turned his huge hands to painting it.

Walyarra 2001 depicts the flooding of the region during the wet season and the transformations of the landscape that follow. The blue hook-forms show the kiliki (creeks) that are created, while the angular central meander shows the ‘milk-water’ phase, when the river waters are clouded by the white clay soils flowing down from its northern banks.

Boxer’s nuanced use of colour evokes the very sand and soil of his country. He animates the land by placing dots on top of dots to create sculpted peaks which, in a field of subtly shaded yellows or blues, catch the light and recreate the depths of the river country. The channels between these dotted fields appear carved into a shimmering surface, like engravings, or waterways through the land itself.

Walyarra is a painting of country in flux, of land shaped by water, and of the shapes that remain as story when the water dries up. This dynamic, transformative quality of the country was Boxer’s artistic muse as he sought to bring his intimate knowledge of the nexus between ecological and ancestral forces to life through the possibilities of paint.

John Carty


Text © National Gallery of Australia, Canberra 2010
From: Franchesca Cubillo and Wally Caruana (eds) Aboriginal and Torres Strait Islander Art: collection highlights National Gallery of Australia, Canberra, 2010

博克斯尔·米尔纳 (Boxer MILNER)
1935年出生于澳大利亚西澳州巴尔戈
《瓦利亚拉》(Wallyara)
2001年
亚麻布,合成聚合物涂料
120.0(高) x 80.0(宽) 厘米
2001年购买
收录号:NGA 2001.218

博克斯尔·米尔纳(米尔恩加·米尔恩加[Milnga Milnga])靠在内陆河上跑船谋生。斯德特溪(Sturt Creek)蜿蜒流入大沙沙漠北部边沿地区,溪水的涨落孕育了他的人生和艺术。米尔恩加·米尔恩加出生于溪边,早年在斯德特溪农场当牧牛人。到他年长无法继续在河乡谋生之际,硕大的双手拿起了画笔。

创作于2001年的《瓦利亚拉》描绘了湿季期间该地区发洪水及随后景观变化的情形。蓝色钩状图案表示kiliki(溪流)的形成,而中幅棱角分明的曲线表现的是 ‘乳·水’阶段,即白色粘土从北岸流下覆盖河水的现象。

博克斯尔对颜色的使用细致入微,唤起了对家乡一草一木的记忆。在斑点上覆盖斑点,雕饰出峰峦,在微妙的黄色或蓝色色调映衬下,峰峦捕捉光线再现了河乡的深邃。点缀区域之间的通道好似刻入了闪闪发光的表面,像木版画,或穿过大地本身的水道。

《瓦利亚拉》是一幅幻化的乡村画,描绘了得形于水的大地,洪水退去后留下的形态变成了故事。乡村的动态、变化特质是博克斯尔的艺术灵感,因为他力求通过颜料潜力让自己对生态与先人力量之间联系的深刻理解富有生命力。

John Carty
约翰·卡蒂


Text © National Gallery of Australia, Canberra