Max DUPAIN, Jean with wire mesh Enlarge 1 /1

Max DUPAIN

Australia 1911 – 1992

Jean with wire mesh c.1935 Title Notes: Model is Jean Lorraine, a close friend of Olive Cotton
Creation Notes: The photograph was published in The Home, 1 FEB 1936: p. 57
Materials & Technique: photographs, gelatin silver photograph

Dimensions: 46.0 h x 34.5 w cm
Acknowledgement: Purchased 2006
Accession No: NGA 2006.913

This portrait of Jean Lorraine, a close friend of Cotton, was one of many taken of her by Cotton and Dupain. This photograph is notable for its technical virtuosity – Dupain’s control of the variegated light across Jean’s body, beautifully lyrical and sensuous, is masterful. It also reflects Dupain’s active interest in the work of Man Ray, whose earlier Shadow patterns on Lee Miller’s torso (1930) was no doubt an influence. Like Man Ray’s image of his lover, Dupain’s portrait of Jean is also notable for its eroticism. While Dupain might have argued that this photograph was a study of light falling on surfaces, the light and shade take particular pleasure in the form of Jean’s naked torso. This eroticism has been underplayed throughout the history of the picture, not surprising given the nature of the relationships involved: when it was published in The Home in February 1936, Jean with wire mesh was known simply as a Photographic study. Dupain printed at least two versions of this shot, another with Jean’s eyes open.


Text © National Gallery of Australia, Canberra