United States of America 1925 – 2008
Collection Title: the 'Booster and 7 studies' series 1967
Title Notes: 001-009
Place made: Los Angeles, California, United States of America
Materials & Technique: prints, planographic, stencil colour lithograph, screenprint printed from two stones, two aluminium plates and one screen Support: machine-made, Curtis Rag 100 % cotton paper
Impression: right to print
Edition: edition of 38, plus 12 artist's proofs; 9 trial proofs; right to print; printer's proof II; 2 Gemini impressions; cancellation proof
Publisher: GEMINI G.E.L.
Place Published: Los Angeles
Date Published: 1967
One of Rauschenberg’s most successful collaborations was with the Gemini GEL print workshop – a printmaking partnership that permanently changed the terrain of American printmaking. Printer Kenneth Tyler was a masterful facilitator for Rauschenberg’s ambitious project and their collaboration radically altered the possibilities of printmaking by combining lithography and screenprinting in a new type of ‘hybrid’ print. The rules governing the size of lithographic printmaking were ignored, and at the time of its creation, Booster stood as the largest and most technically sophisticated print ever produced. Today, Booster remains one of the most significant prints of the 20th century, a watershed that catapulted printmaking into a new era of experimentation.
Text © National Gallery of Australia, Canberra