United States of America 1925
Collection Title: the 'Stoned moon' series, 1969-70
Title Notes: 003-021
Materials & Technique:
prints, planographic lithograph, printed in two colours from two stones Support: Arches cover paper
Impression: right to print
Edition: edition of 44 plus 6AP, RTP, PPII, 3GEL, SP, C
Publisher: GEMINI G.E.L.
Place Published: Los Angeles
Date Published: 1970
Edition Notes: Processing and proofing by Kenneth Tyler. Edition printing by Robert Peterson assisted by Andrew Vlady.
Printed from two stones in green and gray. The first stone (green) was photo-sensitised. Work on the stone is a reversal of the usual procedure; Rauschenberg began with tusche and crayon and then had the stone photo-sensitised for the additional work.
Rauschenberg was invited by NASA to observe the launch of Apollo 11 in July 1969. Gemini G.E.L commissioned the artist to do a series of prints based on his observations, a commission which resulted in the 'Stoned moon' series of 33 lithographs. Rauschenberg also made use of photographs and other materials supplied to him by James Dean of NASA.
Primary Insc: signed and dated lower right corner, pastel 'RAUSCHENBERG 69'
inscribed lower right corner, pastel 'RTP'
Secondary Insc: emobssed lower right corner, Gemini chop
verso: stamped lower left corner, ink 'GEMINI G.E.L. / LOS ANGELES, CALIF'
verso: inscribed lower left corner, pencil 'RR69-288'
comp 86.0 h x 65.2 w cm sheet (irregular) 86.2 h x 65.8 w cm
: GEMINI GEL, NO.185
: Purchased 1973 Accession No
: NGA 73.929 Image rights
: © Robert Rauschenberg/VAGA. Licensed by Viscopy
In 1969 Rauschenberg was invited by the National Aeronautics and Space Administration (NASA) to witness one of the most significant social events of the decade − the launch of Apollo 11, the shuttle that would place man on the moon. NASA provided Rauschenberg with detailed scientific maps, charts and photographs of the launch, which formed the basis of the Stoned moon series − comprising thirty-three lithographs printed at Gemini GEL. The Stoned moon series is a celebration of man’s peaceful exploration of space as a ‘responsive, responsible collaboration between man and technology’.
The combination of art and science is something that Rauschenberg continued to investigate throughout the 1960s in what he calls his ‘blowing fuses period’.
Text © National Gallery of Australia, Canberra