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Augustus EARLE

Middlesex, England 1793 – 1838

  • Australia and New Zealand 1825-28

Charles Joseph HULLMANDEL

Great Britain 1789 – 1850

printer, lithographic


18 Holborn, Opposite Furnivals Inn

publisher (organisation)

Bungaree, a native chief of New South Wales. 1830
Collection Title: Views in New South Wales and Van Diemen's Land. Australian Scrap Book. London: Charles Hullmandel, 1830
Page: part 2, plate 1
Place made: London, Greater London, England
Materials & Technique: prints, ink; paper lithograph, printed in black ink, from one stone; hand-coloured in watercolour Support: cream paper
Edition State: published state
Impression: undesignated impression as issued
Edition: print run unknown

Dimensions: printed image (trimmed) 28.8 h x 19.8 w cm sheet 30.8 h x 19.8 w cm
Acknowledgement: Gift of Major General T.F. Cape in loving memory of his wife Elizabeth Rabett 1995
Accession No: NGA 95.346
  • Mrs Cape.
  • By descent to, Major General T.F. Cape.
  • Purchased by the National Gallery of Australia, from Major General T.F. Cape, Canberra, February 1995.

Bungaree, from the Broken Bay area of New South Wales, was the most famous Indigenous Australian in the early nineteenth century. He gained his fame by assisting the colonists and by becoming a leader of the Indigenous people in Sydney until his death in 1830. As a reward for his services, various governors and officers gave Bungaree discarded uniforms and a cocked hat. In 1815 Governor Macquarie decorated Bungaree with a breastplate inscribed with the fictitious title ‘Chief of the Broken Bay Tribe’.

In this portrait Earle has depicted Bungaree welcoming strangers to the colony, with Fort Macquarie and Sydney Harbour in the background. He cast Bungaree in the pose of a landowning gentleman, parodying colonial society and emphasising the tragedy of Indigenous peoples’ loss of their native land.

Augustus Earle was the most accomplished artist working in New South Wales in the 1820s, and although he only remained in the colony for just over three years, he quickly established himself as Sydney’s leading artist. He sometimes depicted his own adventures and included himself in his landscapes, but his main income came from portrait commissions from Sydney’s new wealth.


Text © National Gallery of Australia, Canberra